REVIEW | Before Midnight (2013)


If you’re a fan of Richard Linklater’s Before Sunrise (1995) and Before Sunset (2004), expect to love the highly anticipated sequel Before Midnight. But if you’re not a fan but still recognize the cinematic significance of this romantic talkie, it’s exciting to reunite with Jesse and Celine, whom we first met eighteen years ago on a train bound for Vienna and romance.

The appeal of the Before series is that you can’t help listening—probably even with an open mouth—to what these two are yapping about non-stop. You know that it’s a special kind of movie, one of its kind, which pulls you deep into its world, regardless of how you feel about the characters.

In Before Midnight, we reunite with American Jesse (Ethan Hawke) and Parisian Celine (Julie Delpy) as if they’re our relatives. It’s the present day, they’re on iPhone and Facebook, and have noticeably aged in their early 40's; fat, a bit wrinkly, and a bit sloppy looking. No, they don’t look like beautiful celebrities, but they're your average aging, tired couple, but charming in their physical imperfections.



We catch the couple in their Grecian retreat with their twin girls, with Jesse constantly bothered by being geographically distant with his son (from his first marriage) who’s about to start high school. Jesse’s desire to be a constant presence in his teenage son’s life puts a crack in Celine’s dam of insecurities, doubts, and repressed issues, ultimately threatening the couple’s marriage. Will Jesse and Celine break up before midnight in Greece? Gasp.

Penned by Linklater, Hawke and Delpy, Before Midnight remains to be what the series is: displaying an intellectual and literary couple conversing, arguing, engaging in wordplay or verbal jousting. This is how “intellectuals” talk to each other, the film subtly says. How “deep,” “cultured,” “creative” people express universal problems, the film smugly shows. Of course, a veneer of pretentiousness is still perceived, but the stars deliver their lines with such excellence and genuineness, on top of their valid, realistic, and substantial arguments, that you forgive the film’s slight arrogance. The conversations start a bit awkward at first; pretentious, yes, but it quickly evolves into humorous, engaging, passionate, terrifying exchanges, ultimately presenting a raw Jesse and Celine.



Before Midnight succeeds in its aim. You’ll see yourself in them, you can smell their fear, sympathize with their weaknesses, and they will depress you and move you. It’s funny, touching, brilliantly acted, and you’ll once again be swept away in the well-crafted flow of dialogue and  you'll sometimes forget you’re just watching a movie. And even if you’re not exactly in love with the Jesse-and-Celine story, you wish from the bottom of your heart that they will live happily ever after.


3 out of 5 stars


Comments

Kathy Balmores said…
I feel like I'm gonna see myself in this movie hahaha